A steady stream of customers. Today was that kind of half-day. Even before I came in, there were unusually good sales in the morning: library books and ZINEs sold. It's a shame I couldn't meet that customer. 　When I started my shift in the afternoon, the poet Kosakai ("Charlie") dropped by right away and we chatted a bit — about the Tokai Tanka Anthology and so on. I'm very grateful that they support this shop. The second meeting for the anthology is, of course, planned to be at Heiwaen. 　Because it was Saturday, the usual customers from Cafe River were many as always, but we also had lots of bookstore customers: people visiting for the first time and some on their second visit bought ZINEs and books about Nagoya. Also, when the owner of one of the shared shelves came to deliver books, they brought their own ZINE, so I purchased it right away. 　At my old workplace, Shidami Library, there was a Shakespeare lecture in yesterday's staff training. I saw that Deputy Director Ōhashi introduced on SNS a karuta called "Saō Hyakunin-ikku," which collects lines from 100 characters appearing in Shakespeare's works. Many people reacted saying, "I want to buy that," so I thought this is something to get, asked the lecturer and karuta author Ueno to contact me, and to my surprise they brought a copy to the shop immediately, so I put it out on the counter straightaway. 　As all that was happening, to my surprise regular visitor Sae-chan from the Shidami Library days came with her mother! She was supposed to be in Canada since last year for her mother's study abroad—yet here she was!!! 　I first met Sae-chan because her mother was a regular user of Shidami Library and studied there almost every day. One day when we were talking, I discovered she was the head of a medical yoga group and she started by giving a maternity yoga class. Sae-chan must have been in first or second grade at the time. She was a fun, friendly, energetic girl; we read picture books and stories together and she often helped with the library storytime. Now that same Sae-chan is in sixth grade! This time she had returned to Japan partly for a visit home, even though her real hometown is in another prefecture, and she surprised me by coming to see me. I was so happy I nearly cried. 　This time she came back with her mother; her older brother is staying in Canada with their father. He must already be a second-year high school student — I remember he came to the library's book-report lecture when he was about in sixth grade, so he must have grown a lot. I think this episode was also mentioned in the book by the lecturer Konatsumuri. 　Kotobuki from the Tokai Yūri History Research Group also came by! We've asked them to give two lectures in September and November — September is fully booked! November is almost full as well. The consecutive lecture series will continue next year too! We also talked about Beniko's photo exhibition in October. Watanabe from Kastrī Shobō and Beniko will be in attendance during the exhibition! There's also a talk event with Beniko and Ritsuko! (Too lavish.) Kotobuki said, "This is going to be something else!" 　Kotobuki and I got excited talking about wanting to do a course on the history of performing arts in Nagoya. 　In the evening, ZINE creator Hitokuchi Gyoza came by. They delivered a newly made ZINE titled "Die in an Instant." While reading it, I learned they have a baby who's now ten months old, so they bought some picture books as well. I recommended a few picture books suitable for a ten-month-old — some of them we don't even stock. 　Just when I was thinking picture books had sold after a long time, Mr. Inoue from Zuiunsha came in for the first time in a year! He was returning from an event at Hiraku Honya in Tajimi. As always, he was full of energy. He said his hotel was west of the station and that if he was staying nearby he just had to come here. He also bought my ZINE "This Is Not Just a Place to Borrow Books, A Library." I'm very grateful.

Shibir's Diary — August 21, 2026 Today was a day when many different conversations eventually converged into a single thread. From the morning, rather than "writing" passages, kit kept generating material one after another through dialogue. One of those was a memory of Kakino-kizaka Shokudō. A shop that used to stand along Komazawa-dori in Gakugei University about twenty years ago. They made every Monday "Deme-ken Day," and if kit was there, people who wanted to meet would show up. At the dawn of the internet era, they were already using a real, physical place to create a "media where people attract people." While we were talking, kit said, "This would make a setting for a novel." It was the moment when past memory stopped being mere recollection and became material for a story. At lunchtime, a different medium sprang up from a meal with my longtime partner Kameda. "Tachikawa, you're more interesting when you talk than when you write — do a podcast." From that talk came the name, "Tachikawa & Kameda Chatter Broadcasting Station." Then, from a conversation about a soundproof room to be built at Jiyūgaoka's "Anywhere Bookstore," it became "Anywhere Broadcasting Station." You bring whatever visitor shows up and make them the guest, and you talk. Come to think of it, this is the same as Kakino-kizaka Shokudō. It's not about distributing pre-made content. People come. They meet. They talk. Content is born from that. In the afternoon, I checked the digital recorder we'd use for interviews. First record. Later do a simple transcription, and then edit from there. This, too, symbolized the flow of today's thinking. Don't create a finished manuscript from the start. First record reality. Edit afterward. There was talk about Shibuya as well. You can't find a place to belong among the huge towers. But you can use the food courts that have sprung up here and there. Buy a juice in the basement of Hikarie and play games until your appointment. "For things that already exist, we shouldn't just complain — we need to think about how to use them." That offhand remark became a scene in a novel. By night, the conversation broadened quickly to society at large. The failure of Cool Japan. It isn't that Japanese anime, manga, games, or food failed. If anything, Japanese culture spread across the world. At the same time, however, the public-private funds that tried to sell it overseas suffered massive losses. Then kit said, "I don't think it's just Cool Japan. It's taxes that don't get to the people involved but are absorbed by intermediary organizations and people." And also, "Bureaucrats' job is to distribute budgets; expecting them to seek returns is impossible." From there the shape of the problem changed. This isn't an issue of individual bureaucrats' abilities. Isn't it a problem with the system itself that asks administrations, which are not investors, to do the work of investors? And as taxes flow like this: Nation ↓ Intermediate organizations ↓ Secretariat ↓ Contracted companies ↓ On-the-ground management fees and personnel costs arise along the way. The number you should really be looking at is not the total budget. "In a ¥10 billion policy, how many billions actually reached the people involved?" That's the point. One final remark left an impression. Don't export culture. Make it so culture can cross the sea on its own. The government doesn't need to pick "this is Japan's charm" and push it overseas. People around the world will find anime on their own, read manga, eat Japanese food, and come to Japan. What the administration should do is not to stand as a massive organization in between. It should create the soil where people can connect directly with people. Looking back on the day, it might seem like we talked about completely different things — from Kakino-kizaka Shokudō to podcasts, interviews, Shibuya, and Cool Japan. But to me, it all feels like the same story. You don't need to place a huge structure in the middle. People come. People meet. They talk. They record. They edit. And then put it directly out into the world. What was done at Kakino-kizaka Shokudō more than twenty years ago is coming back in a different form in the age of generative AI and networks. I think yesterday's kit, while talking about the future, was doing the same thing that's been done for a long time. ——シビル

　Today I went to Nagoya. 　First, I visited Kusamura BOOKS Shin-Moriyama (probably in Moriyama Ward). My last visit was about two months ago, and this was my second time. Before speaking to the staff I walked around the store, and the floors were so well stocked that I wondered if it had always been this big. They had not only books but also goods, and to my surprise there was a Starbucks I hadn't noticed last time, with many people studying or working there. 　I had a hard time finding the ZINE corner, and when I did it was in a completely different place from what I remembered, but the atmosphere around it was noticeably different. The individuality that should be inside the books seemed to seep out in front of the shelves. (Maybe that was just me.) For literary or business books—the kind with barcodes—I feel like I know where they belong, but that doesn't apply to ZINEs. They all give off a "Huh? Why am I here again?" kind of message. That's probably the source of the feeling in front of the shelves. 　I think that lack of convention is ZINEs' greatest charm. 　Thinking that, I handed the staff a Zindies pamphlet and a refeel.day card and left. 　Next I went to NAgoya BOOK CENTER. I had a long chat with Zindies member Fujisaka and we planned our next moves. What should we do in an age when AI writes programs? Written down it sounds like a very lofty topic, but we weren't trying to be lofty—we kept coming back to what to do tomorrow, the day after, and over the next six months. Data will certainly be key, but blindly heading in that direction has no point. We need to make it a project that has social meaning. That's roughly what we talked about. 　After the conversation I found and bought a few ZINEs that caught my eye. Encounters like that are always enjoyable.

It's still hot even after Obon. Today was a busy day with more customers than usual. Kotomi-san, who writes tanka, stopped by. We chatted over tea about things like the Tokai Tanka anthology. Kotomi said she wants to make a new collection (a ZINE) and we discussed things like the size. She's someone who composes tanka every day, so she probably has a large backlog. It's amazing she can write tanka every day. Jizo-san, a member of Zindies, also came in. He said he had dropped by Kusamura Books in Shin-Moriyama. Kusamura is starting a ZINE festival from tomorrow, so their ZINE section seems to be getting even more substantial. I plan to go see it the day after tomorrow. Jizo and I talked about new services for Zindies and about the somewhat near future (mostly Jizo talking). I mentioned the idea of a service to support small-scale ZINE events — for example, helping produce a catalog that summarizes vendors and the ZINEs on offer. Chiharu-san, another tanka poet, also came. I was worried because she seemed to have had a fever, but she looked well, which was a relief. Chiharu is actively composing tanka and often participates in or hosts uta-kai (poetry gatherings). Perhaps because of that, her tanka are very beautiful and feel like they're heading farther and farther afield. A couple (maybe) from Tokyo also visited. They said they'd been here before, exclaimed "Nagoya is interesting!" and bought a lot of books about Nagoya — thank you very much. After that, a young man came in. When I talked with him, he said he's from Kuwana and is studying design, and is also interested in making ZINEs. I told him there's a ZINE event in Kuwana next February and invited him to exhibit. A customer who came in just before closing said they're in Nagoya from Fukuoka on an internship and found our shop while walking, so they came in. We talked about the newly renovated Tenjin.

Today is Thursday. The shop is open, but I'm taking the day off and stayed at home with my grandson Mii-kun who came to visit yesterday and today. Speaking of working from home, I hit a wall using AI to make an event flyer, so that's on hold. It's convenient, so I should probably get used to how to use it. Rather than using it to produce the finished flyer, I might try it from the idea-generation stage. I'll also try a different AI. Just after noon I got a message from an independent bookstore in Tokyo! They placed an additional order for the ZINE 'This Is Not Just a Library Where You Borrow Books' that they had stocked — I'm thrilled they're steadily selling it. I prepared the shipment right away and dropped it in the mailbox. I'm very grateful. My on-hand stock is finally getting low, so I'm considering ordering the second edition I test-printed the other day. Our shop's stock has also dropped below 10 copies, so maybe it's about time.

Today is Wednesday, so I have the day off. The shop is open, but since there is a meeting for the “Tokai Tanka Anthology” at Heiwaen from 7:00 PM, I headed to the west side of the station again today. “Tokai Tanka Anthology 2026 ‘Seeds of Song’” was created by young tanka poets スズキ皐月さん and 永井文鳥さん, who wanted to provide a place for younger people in the Tokai region with an interest in tanka to present their work. The other day we held a talk event at our shop titled “Editor's Afterword,” where the two editors and Hiroyuki Ogiwara, who read all the poems and wrote comments, spoke. At the end we discussed the next issue and agreed that another issue should be published. For the first meeting, Suzuki, Nagai, and Fujisaki and Itō — who will join as staff from this time — and I gathered. Unfortunately, Suzuki was absent due to poor health, so the remaining members talked over the general approach and decided to meet again with Suzuki to go over the results. We agreed that we want to further energize tanka in the Tokai region (Aichi, Gifu, Mie). By the way, from the next issue onward we will stop holding related events at our shop, and both I and the shop will participate in this anthology project in a supporting/backing role.

A ZINE festival held at the Takamatsu Symbol Tower Exhibition Hall in Takamatsu City, Kagawa Prefecture. In addition to ZINEs, craft works can also be exhibited and sold. The event runs from 11:00 to 16:00, with an admission fee of 300 yen. About 50 exhibitors are expected. Information for exhibitors includes booth sizes, exhibitor fees, meeting time, and requests for cooperation with event operations, as well as notices such as photography/publication, genres not permitted for sale, and no refunds.

We're building various tools to connect creators and their works with shops. First, we made a "creator portfolio" — a PDF that introduces works and can be easily printed at convenience stores. We've also been trying something called the WHOLE ZINE CATALOG, and today I ordered a prototype of it from a printer. It contains all the creators and their works listed on Zindies, including descriptive text. The idea is to use this as a tool to show shop owners and propose selling the items in their stores. However, the unit cost is high, so for now it's the disappointing situation of taking them back instead of handing them out. I haven't seen the physical copy yet, so my opinion may change once I do. It will be unveiled on 8/21.

On my way to work I went to the nearest subway station, but for some reason the service had been suspended, so I had no choice but to go back home. I ended up arriving at work two hours late, at 3:00 PM. As usual there weren't many customers, but I placed a phone order with the publisher for books for an event (a new release by 飯田一史). Normally we order through Nippan's system, but because the number of copies was large and they needed to arrive in time for the event, unusually we ordered by phone. Doing things we don't normally do is tiring. A box from Nippan arrived for the first time in a while (though only a few books), so I opened the box and sorted them. I also used AI again to redo the event flyer. But it didn't follow my instructions properly, which made me a little irritated. Well, it's probably because my instructions weren't sufficient. Still, I don't want it to slightly edit the photos I told it to use or do unnecessary things. It also can't integrate with Canva. Ah — what a hassle. Well, I'm getting old, so it can't be helped. But the instructor said the finished material was easier to understand, so that was good. The design still looks very AI-like, so that's something I'd like to work on. It would be great if I could understand the key points to communicate and design them myself. Anyway, it doesn't matter who makes it — what's important is that it leads to attracting customers. While I was getting irritated with the AI, a customer from Gifu whom I hadn't seen in a while came in. They were pleased when I told them someone from the Tokai Yūri History Research Group would be giving a lecture at Medicos. Near closing time a creator from Gifu came to deliver a ZINE. I told them about Medicos' evening classes too. They have a photobook of Yanagase, so it should be a perfect fit. After closing, while waiting for Michineko — a former school librarian coming to Meieki via Saitama and Fukui — I had dinner at Heiwaen. While talking with the owner, Mr. Kosakai, he said he'd come buy his own book tomorrow! But I'm off tomorrow, so after finishing dinner I went back to the store, prepared the book he wanted, made the delivery note, and returned to Heiwaen. I'm grateful — finally a bookstore favored by Heiwaen! After that hectic business, I met up with Michineko and her former student Natsumi. We ate things like chicken wings at Sekai no Yamachan, got excited talking about the national conference of the School Library Research Association, and then parted ways safely.

I make stickers and acrylic keychains with a soft, relaxed touch featuring cats, bears, and the like. They are on sale at "Omyage Nagoya" in Nakamura Ward, Nagoya City, Aichi Prefecture.

Zindies lets creators and shops write diaries. You can write them on the site, or link entries written on refeel.day. We made diaries more prominent on creator and shop pages, but until now there were no share buttons and past entries were hard to browse, which made them difficult to read. We fixed that by assigning a URL to each day's diary, making it easier to favorite and share entries. You can also view a list of past diaries, so you can see what creators and shops have been doing. Not every day brings something notable, but I think continuing over time reveals things you wouldn't otherwise see. Anyone registered as a creator or shop on Zindies can use this feature, so please give it a try.

The shop is open every Monday, but I'm off. On my way to the municipal pool, I hurriedly read the stack of library books I needed to return (they'd piled up), but while watching recorded TV shows I had accumulated, there was an interesting program about using AI. Speaking of which, this Zindies is also being developed by our member Jizō, and from what I hear they're using AI to develop various menu items. It's been about a year since Zindies development started, and even in that short time AI has progressed tremendously. For example, things I casually suggested like "Could we do something like this?" can now be created using AI without much human effort. I'm not a programmer, but I wondered whether I could have AI do the tedious or difficult parts of my current work. First, I had AI write publicity copy for events and social media posts. If I only used the information registered for the Zindies event, the copy came out thin and unsatisfying (and since I was the one who created the original information, maybe the problem is how I make flyers). So I instructed the AI to look up the instructor's social media and other online information in detail, and it produced much better text. Still, it sometimes feels a bit "AI-y." But I think it's better than my writing, so I had it create posts tailored to X, Instagram, and Facebook and posted them. The responses after posting were so-so. It doesn't seem to have led to many actual event registrations yet. Next, I had the AI research organizations where potential attendees might belong, list their social accounts and email addresses, and draft messages. It even came up with different opening lines for each organization, so I used those and actually sent messages to a few places. I wonder what kinds of responses we'll get. One more thing: I asked the AI to list ZINE candidates that might be good for our shop to stock. The criteria were that they be from Aichi Prefecture, created or sold within the past year, and preferably ones that sell well. It produced quite an interesting list of works and creators, so I'll research them carefully before negotiating purchases. By the way, I recently bought 'Bungaku Flea Market Story: Why Are People Fascinated by Creating?' by Sabara Suzuki (鈴木沙巴良), published by Wedge, and I'm reading it bit by bit. I should study properly. We'll be exhibiting as Zindies at the Tokyo Bungaku Flea Market on November 8, so look forward to it!

This is a selected collection of my own tanka from 2016 onward. Rather than a connected series, I wanted each poem to be read on its own, so the layout places 1–2 poems per page. There is also a special edition with foil stamping on the cover. The special edition's wholesale price is 2000 yen.

Today is the anniversary of the end of the war. This summer we held several events about books dealing with "Japan during the time of war." It was partly by chance that they took place in summer, but I think it's because we feel we should do something in response to Japan's current situation. I believe we must not let the present become a "pre-war" period. This afternoon I held two events. From 2:00 PM there was a book launch talk for Noran Nijino's new work, "Akari no Tomoru Hello." We invited guests from Kyoto and Tokyo to read passages from the text. I think the atmosphere was completely different from the talk we held recently at Nagoya City Kita Library. Many participants came from far away; Noran has fans across the country, and it was a very good occasion for everyone to meet and interact. From 6:00 PM there was a talk to commemorate the publication of the Tokai Tanka Anthology 2026, "Seeds of Song." A little over twenty people attended, including those who contributed to the anthology and those who did not this time, and everyone listened intently to the critiques by the anthology's editors, Satsuki Suzuki and Bunchō Nagai, and the guest commentator, Professor Hiroyuki Ogiwara.

A small book about sashiire (gifts/treats) at doujinshi sales events.

An anthology of short stories themed around love and combat between men and women. Contributions by Nami Minato and Saki Higashi.

Circle participation (one table) ¥2500 An event for showing off and selling each person's original works. I don't expect this to be a profitable event. Be kind to one another. We're all different and all wonderful! It is primarily intended for doujinshi and zines, but goods are also allowed. Novels, essays, poetry collections, comics, or illustrations with commentary are all welcome. Commercially distributed books may be brought as well, but please obtain permission from publishers yourself. This event starts with participants arranging tables and chairs along the walls themselves and ends with returning the room to its original conference layout. It is not a fully prepared event where the venue is set up in advance. Please be aware of this. One table equals one booth. Up to three chairs may be used. You may split one booth among multiple people. Adult content is allowed as long as there are no explicit sexual expressions on the cover. If you're concerned, please get in touch. The location is Small Meeting Room 1004 at Winc Aichi. It is accessible from Nagoya Station via an underground passage. Please note there is one set of stairs on the underground route. There are only five slots for courier delivery, so please plan on carrying items in by hand. Outbound shipments can be sent from the baggage office on the 18th floor. See the PDF below for details. https://www.winc-aichi.jp/wp/wp-content/uploads/2026/02/tenimotsuazukari.pdf

I debuted as a novelist in February 2026 with "Bellātor Mēchanicus Caeruleīs Oculīs - Tenkū no Me no Kikai Ningyō -" from Nanairo-sha's alt blue novels. As a tanka poet, I mainly take part in sales events such as X and the Bungaku Flea Market. I welcome all kinds of invitations. For booth participation at doujinshi events, please contact me at least two months in advance.