＜Basic Information＞ Title: How to Write Author: 平野明 Cover illustration: 岩崎伶奈 Design: 岩崎伶奈 Editor: 平野明 Release date: May 26, 2025 Price: 1,000 yen (tax included) Format: A6, softcover Pages: 70 pages Publisher: 平野明 ＜Overview＞ Not "What to Write," but "How to Write." Under the theme "what does it mean to write," I quoted and reflected on 31 kinds of prose from various books. I made this zine from my current bookshelf; I hope it will serve as a reading hint for readers and help writers broaden the territory of the word "write." Enjoy. Special page → https://199.hatenablog.jp/entry/2025/05/17/111608

Born in 1997. From Aomori Prefecture. While attending university, formed the theater unit "手手" (formerly "夜のピクニック") and began writing plays. Major works include "窓／埋葬" (2023, 双子のライオン堂出版).

I'll be participating in Bungaku Flea Market Tokyo. We don't do much online/mail-order sales, so it's recommended to purchase on-site at event prices. There are travel essays and essays about my return to the doujin scene.

▼A book that you read as a lecture in story form about 'how to write novels' while facing AI. A "small record of experiments" that summarizes how an author who had lost the ability to write reevaluated their creative practice through dialogues with ChatGPT. You can read it as a narrative lecture — dialogues (a course) between a professor and the protagonist — presenting a way of thinking to treat AI not as a "tool" but as "another editor." Using approaches discussed in overseas creative-education contexts as a clue, it quietly explores a path to reclaiming language. ※This book is structured as a "fictional lecture" in story form between a professor and the protagonist. ▼Recommended for: - Writers who are stuck while writing fiction - Those unsure how to use AI in creative work - Those who are tired of literary circles or criticism - Those who carry "nights when they can't write" ▼Contents Chapter 1: Can AI become an 'editor'? Chapter 2: AI picks up the 'silence of words' — illuminating the reasons for being unable to write Chapter 3: Writing that 'dialogues with AI' — questions deepen the story Chapter 4: AI edits 'structure' — building the skeleton of a story Chapter 5: Does AI steal 'your voice'? — issues of style and narration Chapter 6: AI 'supplements scenes' — techniques to shape the texture of the world Chapter 7: AI 'polishes dialogue' — techniques for drama and the art of silence Chapter 8: AI 'shakes the theme' — grasping the core of the story Chapter 9: Can AI 'complete the story'? — techniques for endings

This is an essay (a personal account) themed on the Arduino-compatible board for educational institutions, "UIAPduino Pro Micro CH32V003 V1.4". Rather than technical details or information, I wanted to record the emotional tremors that unexpectedly arose during trial and error. This book was created from that feeling. Meeting UIAP and favorite points Strengths as a "rapid prototyping device" A record of creating Breakout using only ChatGPT The first stumbling blocks! Supported USB-serial communication boards A game console I want to make in the future: "Game Bēdā" Note: The print edition is black and white. Please be aware. Supported model: UIAPduino Pro Micro CH32V003 Development environment: Arduino IDE

I teach at a vocational school for game development and enjoy doujin (self-published) activities.

Co-edited by tanka poets Satsuki Suzuki and Bunchō Nagai. It collects the poems of 46 poets living in the Tokai region who have ten years or less of tanka experience, and poet Hiroyuki Ogihara has read all of them and provided commentary.

A story that is completed when you read it. Horror novel New release at the Bungei Flea Market Tokyo in May

"OISO BOOK MARCHE ~A day when stories overflow in Oiso~" "Held at 33 locations around town, Nojima Oiso Square 2F & 3F, the Oiso Town Library, and the Oiso Local History Museum. This year the Oiso Market and ZINE FEST will also be held concurrently. There will also be special talk shows at the Oiso Town Library and OISO CONNECT." (Quoted from the OISO BOOK MARCHE website) In other words, it’s a book event that involves the whole town of Oiso! After a while, I’m not doing a ZINE-only event — I’ll be exhibiting at a "books" event! I’ll bring lifestyle books, novels, tokusatsu (special effects) books, ZINEs of course, and also some miscellaneous goods! The ZINE Fest venue is nearby, so please take a day to go book-hopping with the May sea as your backdrop~ I’ll be at Nojima Oiso Square [3rd floor, 3-12]. It seems to be near the entrance. Some of my regular book friends will also be exhibiting, so I’m looking forward to it! The 5th OISO BOOK MARCHE May 16 (Sat) 11:00–17:00 May 17 (Sun) 10:00–16:00 *book theater splicer will be exhibiting only on the 16th. Venue: Nojima Oiso Square (Kanagawa Prefecture, Naka District, Oiso Town, Oiso 1010, 2F & 3F) Nearest station: JR Oiso Station https://oiso-book-marche.jimdosite.com/

I made a parody of that thing from Yamazaki Bread. lol ・Are people over 30 who aren't married considered problematic? ・Fandom activities (oshi-katsu) ・Drinking parties aren't fun ・Are trips really that enjoyable? ・Things that are fun ・The weakness of certainty and the middle ground ・Conclusion

Made-to-order Please send a message

This is the English edition of 'A Library Beyond Books'.

In front of Lbio, right next to the Kita Library in Kita Ward, Nagoya, there will be a pop-up sale of zines, used books, and miscellaneous goods. I was invited and decided to join at the last minute — so grateful!! My new zine, "Grandparents' House", is a story about a stigmatized property set in my real grandfather's house. I'm happy that the true ghost story "Unknown" seems to be popular at Lbio... I'll bring that one too! I'll also bring some of my back issues. I'll be bringing lots of handmade items — book pouches and other pieces that should be great for spring and summer — so if you're nearby, please stop by!

ZINE "Me and the War" and a supplement set A5 size 32 pages Through this wordless picture book, I prepared myself to put an end to war. I created it hoping for a world where children are not killed by war, and with the wish that this world might move even one or two steps in a better direction.

I create with the hope for a world where children are never killed by war, and with the wish that this world may move even one or two steps in a better direction.