染よだか — Poetry Reading

This is a talk and signing event with Kenji Kuroda, who will publish his new book 'Perfect Locked-Room Matryoshka: Mystery in the Mystery' with 星海社FICTIONS in June.\nHe will speak at length about his latest work and about Nagoya as a puzzle-solving city.

This is a tanka gathering for beginners. The host is Chiharu Itō, supported by Satsuki Suzuki. If you would like to participate, please compose one tanka on the theme 'Nagoya' in advance (it's OK whether or not you explicitly include 'Nagoya' in the poem) and email it to [email protected] ⇨ Please send your email to the Ekinishi Small Tanka Gathering (by July 10).

We will welcome Kumiko Shindo, the leading authority on Fusae Ichikawa studies who recently published 'A Biographical Study of Fusae Ichikawa', and ask her about what she wanted to convey to readers through her research on Fusae Ichikawa, the most prominent postwar politician to come from Aichi Prefecture. The interviewer will be journalist Keiko Yamamoto, a former NHK commentator.

This is the 4th Nagoya Ekinishi Literary Marche. The exhibitors this time are as follows (in no particular order): ハミング研究所 今夜はここで栞を 本の海める サラバ道徳 koboshiyasan 海月舎 静謐堂 名古屋SFアンソロジー That's all. The venue is NAgoyaBOOKCENTER, 2nd floor, Gallery N2.

A well-received literary creative writing class since 2025. While the group critique-style workshop continues, the 1-DAY, 45-minute private lessons that started in May have scheduled dates in July 🙌 We’ve received positive feedback from students who have used the lessons so far 🥰 The location is LBIO, the bookstore in Kita-ku, Nagoya that has been supporting us. Dates are set for July 7 and July 18. ✅ Have you written something but aren’t sure if it’s good? ✅ Prefer a private lesson to a group critique? ✅ Want quick advice in a short time? ✅ Want to use it as motivation to meet a deadline? ✅ Want consultation about contests, zine production, or publishing? These lessons are for you. No restrictions on literary genre 💡 Repeat participants who previously attended the workshop are very welcome 💡 💎 No prior manuscript submission is required, but if your manuscript is 10 pages or more we will need time to pre-read it, so please consult in advance. (Pre-reading is available for an additional fee.) 💎 Private lessons take place during the shared bookstore’s opening hours, so there will be people coming and going. Please understand. 💎 Payment on the day by cash or PayPay. 🖋️ For inquiries and applications, please DM Inukai on Instagram or email [email protected] with your preferred date(s) and the genre of your manuscript.

[Special Peer Review Meeting] We have organized a peer-review session for submissions to the literary contest "Kotonoha Nagoya" ✨ Open to residents of the Tokai region 🉑 The Inukai Creative Workshop produced last year's prize winners 🙌 Recommended for people like this: ✅ You feel uncertain or have questions when writing alone ✅ You want to boost your motivation toward the deadline ✅ You want to experience a peer review session ✅ You want to meet fellow creators ✅ You're a first-timer but want to apply! Let's all enjoy the midsummer special peer review session ✨✨ Peer review sessions will be held on August 1 and 15 (two days). Because we value careful revision, it's preferable to attend both days if possible, but one-day participation is also fine. 📩 [email protected] For contest submissions, please check the application guidelines on the official website. Kotonoha Nagoya official site ⬇️ https://kotonoha.nagoya-bungei.com

Professor 野口武悟 (Aoyama Gakuin University, Library and Information Science), a leading researcher in reading accessibility, and 藤坂康司, a former library director and now bookstore staff who helped realize a library that's more than just a place to borrow books together with citizens and librarians, will have an in-depth conversation about the possibilities of libraries that can only be understood through practice and about the potential for books that reading accessibility brings.

Reading and writing are two sides of the same coin. Knowing the writer's perspective makes reading even more enjoyable. From what viewpoint does an editor read a work? Behind-the-scenes stories that are a must-listen even for those aiming for newcomer prizes. Instructor profile: Hisayuki Arai (新井久幸) Born in Tokyo in 1969 and raised in Chiba Prefecture. Graduated from the Faculty of Law at Kyoto University. While at university he belonged to the Detective Fiction Research Society (Kyoto University Mystery Club). He joined Shinchosha in 1993. After editing magazines and books, he served as editor-in-chief of the magazine "Shōsetsu Shincho" for six years from 2010. He is currently head of the publishing department. Major works he has handled include 『夜のピクニック』（恩田陸）、『重力ピエロ』（伊坂幸太郎）、『ボトルネック』（米澤穂信）、『向日葵の咲かない夏』（道尾秀介） and the anthology "Story Seller." Last year he edited 『失われた貌』（櫻田智也）, which won a triple crown in mystery rankings.